Details

Digital Storytelling


Digital Storytelling

Form and Content

von: Mark Dunford, Tricia Jenkins

139,09 €

Verlag: Palgrave Macmillan
Format: PDF
Veröffentl.: 07.12.2017
ISBN/EAN: 9781137591524
Sprache: englisch

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Beschreibungen

This edited collection brings together academics and practitioners to explore the uses of Digital Storytelling, which places the greatest possible emphasis on the voice of the storyteller. Case studies are used as a platform to investigate questions of concept, theory and practice, and to shine an interrogative light on this emergent form of participatory media. The collection examines the creative and academic roots of Digital Storytelling before drawing on a range of international examples to consider the way in which the practice has established itself and evolved in different settings across the world.
1.&nbsp;Form and Content in Digital Storytelling: An Introduction.- 2. Practice matters in Digital Storytelling by Joe Lambert.- 3.&nbsp;My Story from Kibera by&nbsp;Marita Rainbird.- 4. One Million Life Stories by Carol Misoreli.- 5. Collaborating With Other Artforms. History in Our Hands: A Long-Term Storytelling Project With Older People by Alex Henry.- 6. Digital Storytelling in Multicultural Singapore by Angeline Koh.- 7. Digital Storytelling With Users and Survivors of the UK Mental Health System by Pip Hardy and Tony Sumner.- 8. Digital Storytelling for women’s wellbeing in Turkey by Burcu Simsek.- 9.&nbsp;Going Beyond “the moment”: Towards Making the “Preferably Unheard” Malaysian Sexual Minorities Heard by&nbsp;Angela M. Kuga Thas.- 10.&nbsp;The afterlife of Capture Wales: &nbsp;digital stories and their listening publics by&nbsp;Nicole Matthews and Karen Lewis.- 11.&nbsp;The ethics, aesthetics and practical politics of ownership in co-creative media by&nbsp;Christina Spurgeon.- 12.&nbsp;From the Pre-Story Space: A Proposal of a Story Weaving Method for Digital Storytelling by&nbsp;Akiko Ogawa and Yuko Tsuchiya.- 13.&nbsp;Digital stories as tools for advocacy by&nbsp;Camelia Crisan and Dumitru Bortun.- 14.&nbsp;Reconceptualising Digital Storytelling: &nbsp;Thinking through Audiovisual Inquiry by&nbsp;Darcy Alexander.- 15.&nbsp;Making emotional and social influence: &nbsp;Digital storytelling and the cultivation of creative influence by&nbsp;Chloë Brushwood Rose.- 16.&nbsp;Smiling or Smiting? &nbsp;- Selves, states and stories in the constitution of polities by&nbsp;John Hartley.- 17.&nbsp;Therapy, democracy and the creative practice of digital storytelling by Nancy Thumim.<div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div>
<div><div><div><div>Mark Dunford is an academic and researcher who has held senior roles in a number of UK Universities including University of Brighton, Goldsmiths and University of East London where he was an Associate Dean in the School of Arts and Digital Industries.&nbsp;&nbsp;</div><div><br></div><div>Tricia Jenkins is a researcher and digital storytelling facilitator who also works with Insightshare Participatory Video company and is a lecturer at Goldsmiths, University of London, UK.&nbsp;</div><div><br></div><div>In 2008, Mark and Tricia established DigiTales, a research company specialising in Digital Storytelling and participatory media. The company is hosted by Goldsmiths, University of London, UK.</div></div></div></div><div><br></div>
Explores digital storytelling as an interventionist form of media designed to foster inclusion and representation Combines a theoretical and conceptual approach to digital storytelling and includes perspectives from both academics and more practical uses from community practitioners Examines the creative and academic roots of digital storytelling before drawing on a range of international examples illustrating the way in which practice has established itself and evolved in different settings Includes supplementary material: sn.pub/extras
Explores digital storytelling as an interventionist form of media designed to foster inclusion and representation<div><br><div>Combines a theoretical and conceptual approach to digital storytelling and includes perspectives from both academics and more practical uses from community practitioners<br></div></div><div><br></div><div>Examines the creative and academic roots of digital storytelling before drawing on a range of international examples illustrating the way in which practice has established itself and evolved in different settings<br></div>
<p>“Digital Storytelling is a socially-engaged arts movement, a recognisable media genre, and a community-centred practice. Since its origins on the West Coast of the US more than two decades ago, it has been taken up around the world, and is only growing in momentum with educational, arts, and activist organisations who want to use well-crafted personal stories to increase the personal meaningfulness or public impact of their work. Bringing together an exceptional lineup of eminent media theorists and practitioners reflecting on how this can be done well and what it means for culture and society, this book marks a new phase of maturity for digital storytelling as a field of study and a powerful platform for cultural participation and social change.” (Jean Burgess, Queensland University of Technology, Australia)</p><p> </p><p>“Digital storytelling is emerging as an important and truly inclusive social movement that is changing how we think about democratic practice. This exciting new collection brings together leading practitioners and academics from Europe, North America, Africa and Asia to reflect, with fine practical sensitivity, on the differences that stories can make in experiences of social change and mobility, art and policy. An inspiring cross-cultural perspective on the forms, practice and values of digital storytelling.” (Nick Couldry, London School of Economics and Political Science, UK)</p><p>“Digital storytelling is one of the great, quiet media stories of the last quarter century. This invaluable collection sheds light on all its aspects: stories as therapy, political resistance, liberating acts of creativity, teaching and routes to research.&nbsp; Its source material touches every point of the compass.” (Ian Hargreaves CBE, Cardiff University, UK)</p>

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