Details
Birds in Eighteenth-Century Literature
Reason, Emotion, and Ornithology, 1700-1840Palgrave Studies in Animals and Literature
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106,99 € |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 22.09.2020 |
| ISBN/EAN: | 9783030327927 |
| Sprache: | englisch |
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Beschreibungen
<div>This book examines literary representations of birds from across the world in an</div><div>age of expanding European colonialism. It offers important new perspectives into</div><div>the ways birds populate and generate cultural meaning in a variety of literary and</div><div>non-literary genres from 1700–1840 as well as throughout a broad range of</div><div>ecosystems and bioregions. It considers a wide range of authors, including some</div><div>of the most celebrated figures in eighteenth-century literature such as John Gay,</div><div>Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, Mary</div><div>Wollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, and</div><div>Gilbert White.</div><div><br></div><div> ignwogwog[p</div>
<p></p><p>1. Introduction; Brycchan Carey, Sayre Greenfield, and Anne Milne.- 2. Avian Encounters and Moral Sentiment in Poetry from Eighteenth-Century Ireland; Lucy Collins.- 3. Ortolans, Partridges, and Pullets: Birds as Prey in Henry Fielding’s <i>Tom Jones</i>; Leslie Aronson.- 4. ‘In Clouds Unnumber’d’: Anna Letitia Barbauld’s ‘Birds and Insects’, Speculative Ecology, and the Politics of Naturalism; D. T. Walker.- 5. Charlotte Smith and the Nightingale; Bethan Roberts.- 6. The Labouring-Class Bird; Nancy M. Derbyshire.- 7. The Language of Birds and the Language of Real Men: Wordsworth, Coleridge and the ‘Best Part’ of Language; Francesca Mackenney.- 8. ‘No Parrot, Either in Morality or Sentiment’: Talking Birds and Mechanical Copying in the Age of Sensibility; Alex Wetmore.- 9. Placing Birds in Place: Reading Habitat in Beilby’s and Bewick’s <i>History of British Birds; </i>Anne Milne.- 10. The Literary Gilbert White; Brycchan Carey.- 11. When Poet Meets Penguin: British Verse Confronts Exotic Avifauna; Sayre Greenfield.- 12. Bird Metaphors in Racialised Ethnographic Description, c. 1700–1800'; George T. Newberry.- 13.‘The Incomparable Curiosity of Every Feather!’: Cotton Mather’s Birds; Nicholas Junkerman.- 14. The Passenger Pigeon and the New World Myth of Plenitude; Kevin Joel Berland.<br></p>
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<div><div>Brycchan Carey is Professor of English at Northumbria University, Newcastle</div><div>upon Tyne, UK. The author of numerous publications on eighteenth-century</div><div>literature and culture, his monographs include <i>British Abolitionism and the</i></div><div><i>Rhetoric of Sensibility: Writing, Sentiment, and Slavery, 1760–1807</i> (2005) and</div><div><i>From Peace to Freedom: Quaker Rhetoric and the Birth of American Antislavery,</i></div><i>1657–1761</i> (2012).</div><div><br></div><div>Sayre Greenfield is Professor of English at the University of Pittsburgh at</div><div>Greensburg, USA. He has been a research fellow at Chawton House Library and</div><div>has recently contributed an essay on Shakespearean allusions to <i>The Cambridge</i></div><div><i>Guide to the Worlds of Shakespeare</i> and various essays on Austen to <i>Persuasions:</i></div><i>The Jane Austen Journal</i>. He is also the co-editor of <i>Jane Austen in Hollywood</i><div>(2001) and the author of <i>The Ends of Allegory</i> (1998).</div><div><br></div><div>Anne Milne is Lecturer at the University of Toronto Scarborough, Canada. She</div><div>was a Carson Fellow at the Rachel Carson Center for Environment and Society in</div><div>Munich, Germany (2011) and published ‘<i>Lactilla Tends Her Fav’rite Cow’: Ecocritical</i></div><div><i>Readings of Animals and Women in Eighteenth-Century British Labouring-Class</i></div><div><i>Women’s Poetry</i> in 2008. Her research highlights animals, environment, and local</div><div>cultural production in eighteenth-century British poetry.</div>
<div>This book examines literary representations of birds from across the world in an</div><div>age of expanding European colonialism. It offers important new perspectives into</div><div>the ways birds populate and generate cultural meaning in a variety of literary and</div><div>non-literary genres from 1700–1840 as well as throughout a broad range of</div><div>ecosystems and bioregions. It considers a wide range of authors, including some</div><div>of the most celebrated figures in eighteenth-century literature such as John Gay,</div><div>Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, Mary</div><div>Wollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, and</div><div>Gilbert White.</div>
Considers a wide range of authors, including some of the most celebrated figures in eighteenth-century literature such as John Gay, Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, Mary Wollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, and Gilbert White Constitutes the first attempt to consider birds in eighteenth-century literature Offers important new perspectives into the ways birds populate and generate cultural meaning in a variety of literary and non-literary genres from 1700–1840 as well as throughout a broad range of ecosystems and bioregions
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