Mary V flipped the rough paper over with so little tenderness that a corner tore in her fingers, but the next page was blank. She made a sound suspiciously like a snort, and threw the tablet down on the littered table of the bunk house. After all, what did she care where they floated—Venus and Johnny Jewel? Riding the sky with Venus when he knew very well that his place was out in the big corral, riding some of those broom-tail bronks that he was being paid a salary—a good salary—for breaking! Mary V thought that her father ought to be told about the way Johnny was spending all his time—writing silly poetry about Venus. It was the first she had ever known about his being a poet. Though it was pretty punk, in Mary V's opinion. She was glad and thankful that Johnny had refrained from writing any such doggerel about her. That would have been perfectly intolerable. That he should write poetry at all was intolerable. The more she thought of it, the more intolerable it became.
Just for punishment, and as a subtle way of letting him know what she thought of him and his idiotic jingle, she picked up the tablet, found the pencil Johnny had used, and did a little poetizing herself. She could have rhymed it much better, of course, if she had condescended to give any thought whatever to the matter, which she did not. Condescension went far enough when she stooped to reprove the idiot by finishing the verse that he had failed to finish, because he had already overtaxed his poor little brain.
Stooping, then, to reprove, and flout, and ridicule, Mary V finished the verse so that it read thus:
Mary V was tempted to write more. She rather fancied that term "witless wight" as applied to Johnny Jewel. It had a classical dignity which atoned for the slang made necessary by her instant need of a rhyme for sorry.
But there was the danger of being caught in the act by some meddlesome fellow who loved to come snooping around where he had no business, so Mary V placed the tablet open on the table just as she had found it, and left the bunk house without deigning to fulfill the errand of mercy that had taken her there. Why should she trouble to sew the lining in a coat sleeve for a fellow who pined for a silly flirtation with Venus? Let Johnny Jewel paw and struggle to get into his coat. Better, let Venus sew that lining for him!
Mary V stopped halfway to the house, and hesitated. It had occurred to her that she might add another perfectly withering verse to that poem. It could start: "While sailing in my airplane boat, I'll ask Venus to mend my coat."
Mary V started back, searing couplets forming with incredible swiftness in her brain. How she would flay Johnny Jewel with the keen blade of her wit! If he thought he was the only person at the Rolling R ranch who could write poetry, it would be a real kindness to show him his mistake.
Just then Bud Norris and Bill Hayden came up from the corrals, heading straight for the bunk house. Mary V walked on, past the bunk house and across the narrow flat opposite the corrals and up on the first bench of the bluff that sheltered the ranch buildings from the worst of the desert winds. She did it very innocently, and as though she had never in her life had any thought of invading the squat, adobe building kept sacred to the leisure hours of the Rolling R boys.
There was a certain ledge where she had played when she was a child, and which she favored nowadays as a place to sit and look down upon the activities in the big corral—whenever activities were taking place therein—an interested spectator who was not suspected of being within hearing. As a matter of fact, Mary V could hear nearly everything that was said in that corral, if the wind was right. She could also see very well indeed, as the boys had learned to their cost when their riding did not come quite up to the mark. She made for that ledge now.
She had no more than settled herself comfortably when Bud and Bill came cackling from the bunk house. A little chill of apprehension went up Mary V's spine and into the roots of her hair. She had not thought of the possibilities of that open tablet falling into other hands than Johnny Jewel's.
"Hyah! You gol-darn witless wight," bawled Bud Norris, and slapped Bill Hayden on the back and roared. "Hee-yah! Skyrider! When yo' all git done kissin' Venus's snow-white hand, come and listen at what's been wrote for yo' all by Mary V! Whoo-ee! Where's the Great Bear at that yo' all was goin' to lead home, Skyrider?" Then they laughed like two maniacs. Mary V gritted her teeth at them and wished aloud that she had her shotgun with her.
A youth, whose sagging chaps pulled in his waistline until he looked almost as slim as a girl, ceased dragging at the bridle reins of a balky bronk and glanced across the corral. His three companions were hurrying that way, lured by a paper which Bud was waving high above his head as he straddled the top rail of the fence.
"Johnny's a poet, and we didn't know it!" bawled Bud. "Listen here at what the witless wight's been a-writin'!" Then, seated upon the top rail and with his hat set far back on his head, Bud Norris began to declaim inexorably the first two verses, until the indignant author came over and interfered with voice and a vicious yank at Bud's foot, which brought that young man down forthwith.
"Aw, le' me alone while I read the rest! Honest, it's swell po'try, and I want the boys to hear it. Listen—get out, Johnny! 'I'll circle high as if passing by, then—v-o-l—then vollup, bank, an' land—' Hold him off'n me, boys! This is rich stuff I'm readin'! Hey, hold your hand over his mouth, why don't yuh, Aleck? Yo' all want to wait till I git to where—"
"I can't," wailed Aleck. "He bit me!"
"Well, take 'im down an' set on him, then. I tell yuh, boys, this is rich—"
"You give that back here, or I'll murder yuh!" a full-throated young voice cried hoarsely.
"Here, quit yore kickin'!" Bill admonished.
"Go on, Bud; the boys have got to hear it—it's rich!"
"Yeh—shut up, Johnny! Po'try is wrote to be read—go on, Bud. Start 'er over again. I never got to hear half of it on account of Johnny's cussin'. Go on—I got him chewin' on my hat now. Read 'er from the start-off."
"The best is yet to come," Bill gloated pantingly, while he held the author's legs much as he would hold down a yearling. "All set, Bud—let 'er go!"
Whereupon Bud cleared his throat and began again, rolling the words out sonorously, so that Mary V heard every word distinctly:
"Say, that's swell!" a little fellow they called Curley interjected. "By gosh, that's darned good po'try! I never knowed Johnny could—"
He was frowned into silence by the reader, who went on exuberantly, the lines punctuated by profane gurgles from the author.
"Now this here," Bud paused to explain, "was c'lab'rated on by Mary V. The first line was wrote by our 'steemed young friend an' skyrider poet, but the balance is in Mary V's handwritin'. And I claim she's some poet! Quit cussin' and listen, Johnny; yo' all never heard this 'un, and I'll gamble on it:
"'Through the clouds we'll float in my airplane boat—' That, there's by Skyrider. And here Mary V finishes it up:
"I don't believe she ever wrote that!" Johnny struggled up to declare passionately. "You give that here, Bud Norris. Worry—sorry—they don't even rhyme!"
"Aw, ferget that stuff! Witless wight's all right, ain't it? I claim Mary V's some poetry writer. Don't you go actin' up jealous. She ain't got the jingle, mebby, but she shore is there with the big idee."
"'Drink the dipper dry'—that shore does hit me where I live!" cried little Curley. "Did you make it up outa yore own head, Johnny?"
"Naw. I made it up out of a spellin' book!" Johnny, being outnumbered five to one, decided to treat the whole matter with lofty unconcern. "Hand it over, Bud."
Bud did not want to hand it over. He had just discovered that he could sing it, which he proceeded to do to the tune of "Auld Lang Syne" and the full capacity of his lungs. Bill and Aleck surged up to look over his shoulder and join their efforts to his, and the half dozen horses held captive in that corral stampeded to a far corner and huddled there, shrinking at the uproar.
"And kiss 'er snow-white ha-a-and, and kiss 'er snow-white ha-and," howled the quartet inharmoniously, at least two of them off key; for Tex Martin had joined the concert and was performing with a bull bellow that could be heard across a section. Then Bud began suddenly to improvise, and his voice rose valiantly that his words might carry their meaning to the ears of Johnny Jewel, who had stalked back across the corral and was striving now to catch the horse he had let go, while his one champion, little Curley, shooed the animal into a corner for him.
"It would be grand to kiss her hand, her snow-white hand, if I had the sand!" Bud chanted vain-gloriously. "How's that, Skyrider? Ain't that purty fair po'try?"
"It don't fit into the tune with a cuss," Tex criticized jealously. "Pass over that po'try of Johnny's. Yo' all ain't needin' it—not if you aims to make up yore own words."
"C'm 'ere! You wall-eyed weiner-wurst!" Johnny harshly addressed the horse he was after. "You've got about as much brains as the rest of this outfit—and that's putting it strong! If I owned you—"
"I'd cir-cle high 's if pass-in' by, then vol-lup bank an' la-a-and," the voice of Tex roared out in a huge wave that drowned all other sounds, the voices of Bill, Aleck, and Bud trailing raucously after.
Johnny, goaded out of his lofty contempt of them, whirled suddenly and picked up a rock. Johnny could pitch a very fair ball for an amateur, and the rock went true without any frills or curving deception. It landed in the middle of Bud Norris's back, and Bud's vocal efforts ended in a howl of pain.
"Serves you right, you devil!" Mary V commented unsympathetically from her perch on the ledge.
Three more rocks ended the concert abruptly and started something else. Curley had laughed hysterically until the four faced belligerently Johnny's bombardment and started for him. "Beat it, Johnny! Beat it!" cried Curley then, and made for the fence.
"I will like hell!" snarled Johnny, and gathered more rocks.
"Oh, Johnny! Sudden's comin'!" wailed Curley from the top rail. "Quit it, Johnny, or you'll git fired!"
"I don't give a damn if I do!" Johnny's full, young voice shouted ragefully. "It'll save me firing myself. Before I'll work with a bunch of yellow-bellied, pin-headed fools—" He threw a clod of dirt that caught Tex on the chin and filled his mouth so that he nearly choked, and a jagged pebble that hit Aleck just over the ear a glancing blow that sent him reeling. The third was aimed at Bill, but Bill ducked in time, and the rock went on over his head and very nearly laid out Mary V's father, he whom the boys called "Sudden" for some inexplicable reason.
Mary V's father dodged successfully the rock, saw a couple of sheets of paper lying on the ground, and methodically picked them up before he advanced to where his men were trying to appear very busy with the horses, or with their ropes, or with anything save what had held their attention just previous to his coming.
All save Johnny, who was too mad to care a rap what old Sudden Selmer thought of him or did to him. He went straight up to the boss.
"I'll thank you for that paper," he said hardily. "It's mine, and the boys have been acting the fool with it."
"Yeh? They have?" Selmer turned from the first page and read the second without any apparent emotion. "You write that?"
Johnny flushed. "Yes, sir, I did. Do you mind letting—"
"That what I heard them yawping here in the corral?" Selmer folded the paper with care, his fingers smoothing out the wrinkles and pausing to observe the place where Mary V had torn off a corner.
"Poets and song birds on the pay roll, eh? Thought I hired you boys to handle horses." Having folded the papers as though they were to be placed in an envelope, Sudden held the verses out to Johnny. "As riders," he observed judicially, "I know just about what you boys are worth to me. As poets and singers, I doubt whether the Rolling R can find use for you. What capacity do I find you in, Curley? Director of the orchestra, or umpire?"
Curley climbed shamefacedly off the fence and picked up his rope. The business of taming bronks was resumed in a dead silence broken only by the trampling of the horses and a muttered oath now and then. A lump over Aleck's ear was swelling so that the hair lifted there, and Bud limped and sent scowling glances at Johnny Jewel. Tex spat dirt off his tongue and scowled while he did it; indeed, no eyes save those of little Curley seemed able to look upon Johnny with a kindly light.
Mary V's father stood dispassionately watching them for five minutes or so before he turned back to the gate. Not once had he smiled or shown any emotion whatever. But he had a new story to tell his friends in the clubs of Tucson, Phoenix, Yuma, Los Angeles. And whenever he told it, Sudden Selmer would repeat what he called The Skyrider's Dream from the first verse to Mary V's last—even unto Bud's improvisation. He would paint Johnny's bombardment of the choir practice until his audience could almost hear the thud of the rocks when they landed. He would describe the welt on Aleck's head, the exact shade of purple in Curley's face when his boss called him off the fence. He would not smile at all during the recital, but his audience would shout and splutter and roar, and when he paused as though the story was done, some one would be sure to demand more.
Then a little twitching smile would show at the corner of Sudden's lips, and he would drawl whimsically: "Those boys were so scared they never chirped when the poet actually went sky-riding to an altitude of about ten feet above the saddle horn, and lit on the back of his neck. Johnny's a good rider, too, but he was mad. He was so mad I don't believe he knows yet that he was piled. Afterwards? Oh, well, they came to along about supper time and yawped his poetry all over the place, I heard. But that was after I had left the ranch."
There were a few details which Sudden, being only human, could not possibly give his friends. He could not know that Mary V went back down the hill, sneaked into the bunk house and got Johnny's coat, and sewed the sleeve lining in very neatly, and took the coat back without being seen. Nor did he know that she violently regretted the deed of kindness, when she discovered that Johnny remained perfectly unconscious of the fact that his coat sleeve no longer troubled him.
Mary V was indefatigably pursuing a new and apparently fascinating avocation, for which her mother expressed little sympathy, no enthusiasm whatever, and a grudgingly given consent. Mary V was making a collection of Desert Glimpses for educational purposes at her boarding school. She had long been urged to do so by her schoolmates and teachers, she told her mother, and now she was going to do it. It should be the very best, most complete collection any one could possibly make within riding distance of the Rolling R. Incidentally she meant to collect jackrabbit ears and rattlesnake rattles, for the purpose of thrilling the girls, but she did not tell her mother that. Neither did she tell her mother just why her quest always lay to the southward when there was plenty of desert to be glimpsed toward the north and to the east and the west. She did not even tell herself why she did that.
So Mary V, knowing well the terrific heat she would have to face in the middle of the day, ordered her horse saddled when the boys saddled their own—which was about sunrise. She did not keep it standing more than half an hour or so before she came out and mounted him. She was well equipped for her enterprise. She carried a camera, three extra rolls of film, a telescoped tripod which she tied under her right stirrup leather, a pair of high-power Busch glasses (to glimpse with, probably), two duck-covered canteens filled and dripping, a generous lunch of sandwiches and cake and sour pickles, a box-magazine .22 rifle, a knife, a tube of cold cream wrapped in a bit of cheesecloth, and a very compact yet very complete vanity case. Jostling the vanity case in her saddle pocket were two boxes of soft-nose, .22-long cartridges for the rifle. Furthermore, for special personal protection she had an extremely businesslike six-shooter which she carried in a shoulder holster under her riding shirt; a concession to her father, who had made her promise never to ride away from the ranch without it.
For apparel Mary V wore a checked riding coat and breeches, together with black puttees. The suit had grown a bit shabby for Los Angeles, and Mary V's mother believed that town cast-offs should be worn out on the ranch. Mary V did not mind. She hated the cumbersome riding skirts of the range girl proper, and much preferred the breeches. When she had put a little distance between herself and the ranch, she usually removed the coat and tied it in a roll behind the cantle. She looked then like a slim boy—or she would have, except for the hat. Mary V cherished her complexion, which Arizona sun and winds would have burned a brick red. In cool weather she wore a Stetson like the boys; but now she favored a great, straw sombrero such as you see section hands wear along the railroad track in Arizona. To keep it on her head in the winds she had resorted to tying a ribbon down over the brim from the front of the crown to the nape of her neck; and tying another ribbon from the back of the crown down under her chin. Thus doubly anchored, and skewered with two hatpins besides, the hat might be counted upon to give Mary V no trouble, but a great deal of protection. Worn with the checked riding breeches and the heavy, black puttees, it was not particularly becoming, but Mary V did not expect to meet many pairs of critical eyes. Rolling R boys were too much like home folks to bother about, having been accustomed to seeing Mary V in strange and various guises since she was a tiny tot.
Southward she rode, and as swiftly as was wise if she valued the well-being of her horse. Movies will have it that nothing short of a gallop is tolerated by riders in the West; whereas Mary V had been taught from her childhood up that she must never "run" her horse unless there was need of it. She therefore contented herself with ambling along the trail at a distance-devouring trail-trot, slowing her horse to a walk on the rising slopes and urging him a little with her spurred heels on the levels. She did not let him lag—she could not, if she covered the distance she had in her mind to cover.
Away over to the south—almost to Sinkhole Camp, in fact—was a ridge that was climbable on horseback. Not every ridge in that country was, and Mary V was not fond of walking in the sand on a hot day. The ridge commanded a far view, and was said to be a metropolis among the snakes that populated the region. Mary V had, very casually, mentioned to the boys that some day she meant to get a good picture of a snake den. She said "the girls" did not believe that snakes went in bunches and writhed amicably together in their dens. She was going to prove it to them.
A perfectly logical quest it was therefore that led her toward that ridge. You could not blame Mary V if the view from the top of it extended to Sinkhole Camp and beyond. She had not made the view, remember, nor had she advised the snakes to choose that ridge for their dens. She was not even perfectly sure that they did choose it. The boys had told her that Black Ridge was "full up" with snake dens, and she meant to see if they told the truth.
Wherefore her horse Tango laboriously carried Mary V up the ridge and kept his ears perked for the warning buzz of rattlers, and his eyes open for a feasible line retreat in case he heard one. Tango knew just as well as Mary V when they were in snake country. He had gone so far as to argue the point of climbing that ridge, but as usual Mary V's argument was stronger than Tango's, and he had yielded with an injured air that was quite lost upon his rider. Mary V was thinking of something else.
They reached the top without having seen a single snake. Tango seemed somewhat surprised at this, but Mary V was not. Mary V thought it was too hot even for rattlesnakes, and as for the dearth of lizards—well she supposed the snakes had eaten them all. She had let Tango stop often to breathe, and whenever he did so she had looked south, scanning as much of the lower level as she could see, which was not the proper way to go about hunting snake dens, I assure you. But at the top she permitted Tango to walk into the shade of a boulder that radiated heat like a stove but was still preferable to the blistering sunlight, and there she left him while she walked a little nearer the edge of the rimrock that topped the ridge on its southern side.
Once more she scanned the sweltering expanse of sagebrush, scant grass, many rock patches and much sand. She saw a rider moving along a shallow watercourse, and immediately she focused her glasses upon him. She gave an ejaculation of surprise when the powerful lenses annihilated nine tenths of the distance between them. One would judge from her manner and her tone that, while she had not been surprised to see a rider, that rider's identity was wholly unexpected.
She watched him until, having reached a certain place where a group of cottonwoods shaded the gully, he stopped and dismounted to fuss with his cinches. Mary V could not be sure whether he was merely killing time, or whether he really needed to tighten the saddle; but when another rider appeared suddenly from the eastward, she did know that the first rider showed no symptoms of surprise.
She did not know the second arrival at the cottonwoods. She could see that he was Mexican, and that was all. The two talked together with much gesturing on the part of the Mexican, and sundry affirmative nods on the part of the first rider. The Mexican frequently waved a hand toward the south—toward Sinkhole Camp, perhaps. They seemed to be in a hurry, Mary V thought. They did not tarry more than five minutes before they parted, the Mexican riding back toward the east, the first rider returning westward. He had come cautiously, at an easy pace. He went back riding at a long lope, as though time was precious to him.
Mary V watched until she saw him emerge out of that hollow and duck into another which led toward the northwest and, if he followed it, would bring him out near the head of Dry Gulch, which was several miles nearer the Rolling R home ranch than was the ridge where she stood. When he had gone, she turned again to see where the Mexican was going. The Mexican, she discovered, was going east as fast as his horse could carry him without dropping dead in that heat; and he, also, was keeping to the hollows.
"Here's a pretty howdy-do!" said Mary V to the palpitating atmosphere. "I'm just going to tell dad about Tex sneaking away down here to meet Mexicans and things on the sly! I never did like that Tex. I don't like his eyes. You can't see into them at all. I'll bet they're framing up something on Johnny Jewel—they were pointing right toward his camp. There's no telling what they're up to! I'm going right and tell dad—"
But she couldn't. Mary V knew she couldn't. In the first place, her dad would ask her what she was doing on Black Ridge, which was far beyond her permitted range of activities. Her dad would foolishly maintain that she could glimpse all the desert necessary without going that far from the ranch. In the second place, he would probably tell her that he was paying Tex to ride the range and, if he met a Mexican, it was his business to send that same Mexican back where he came from. In the third place, he would think she was riding over there for a reason which was untrue and very, very unjust. And he wouldn't fire Tex, because Tex was a good "hand" and hands were hard to find. He would simply make her promise to stay at home.
"He'd say it was perfectly all right for Tex—and perfectly all wrong for me. Dad's tremendously pin-headed where I am concerned. So I suppose I'll just have to say nothing, and ride all that long way in the hot sun to make sure that horrid Johnny Jewel is not being murdered or something. It doesn't, of course, concern me personally at all—but dad is so short-handed this summer. And he actually threatened that he couldn't afford me a new car this winter if wages go up or horses go down, or anything happens that doesn't just please him. And I suppose Johnny Jewel has his uses, in the general scheme of dad's business, so even if he is a mean, conceited little shrimp personally, I'll have to go and make sure he isn't killed, because it would be just like dad to call that bad luck, and grouch around and not get me the car."
Mary V had barely reached this goal of personal unconcern for anything but her own private interests, when Tango began to manifest certain violent symptoms of having seen or heard something very disagreeable. Mary V had to take some long, boyish steps in order to snatch his reins before he bolted and left her afoot, which would have been a real calamity. But she caught him, scolded him shrewishly and slapped his cheek until he backed from her wall-eyed, and then she mounted him and went clattering down off the ridge without having seen any snake dens at all. Doubtless the boys had lied to her, as usual.
To Sinkhole Camp was a long way, much longer than it had looked from the top of Black Ridge. Mary V, her face red with heat, hurried on and on, wishing over and over that she had never started at all, but lacking the resolution to turn back. Yet she was considered a very resolute young woman by those who knew her most intimately.
Perversely she blamed Johnny Jewel for putting her to all this trouble and discomfort, and for interrupting her in her work of getting Desert Glimpses. She repeatedly told herself that he would not even have the common human instinct to feel grateful toward her for riding away down there to see if he were murdered.
She was right in that conjecture, at least. When she rode up to the squat adobe cabin, somewhere near noon, she found Johnny Jewel stretched morosely on his back, staring up at the low roof and thinking the gloomiest thoughts which a lonesome young man of twenty-one or two may conjure from a fit of the blues. That he was not murdered or even menaced with any danger seemed to Mary V a personal grievance against herself after that terrifically hot ride.
Johnny turned a gloomy glance upon her when she walked in and sat down limply on the one chair in the cabin; but he did not show any keen pleasure in her presence, nor any gratitude.
"Well! You're still alive, then!" she said rather crossly.
"I guess I am. Why?" Johnny, his meditations disturbed by her coming, rose languidly and sat upon the side of his bunk, slouched forward with his arms resting across his strong young legs and his glance inclined to the floor.
"Oh, nothing." Mary V took off her hat, but she was too fagged to fan herself with it. Her one emotion, at that moment, was an overwhelming regret that she had come. If Johnny Jewel had the nerve to think that she wanted to see him—
"You must love the sun," Johnny observed apathetically. "Lizards, even, have got sense enough to stay in the shade such weather as this." He rumpled his hair to let the faint breeze in to his scalp, and looked at her. "You're red as a pickled beet at a picnic," he told her ungraciously.
Mary V pulled together her lagging wits, marshaled her fighting forces, and flaunted a war banner in the shape of a smile that was demure.
"Well, one must expect to make some sacrifices when one is working in a good cause," she replied amiably, and paused.
"Yeh?" Johnny's eyes lost a little of their dullness. It is possible that he recognized that war banner of hers. "One didn't expect to see one down here—on a good cause."
"No? Well, you do see one, nevertheless. One is at work on an exhibit for one's school, you see. Each of us girls was assigned a subject for vacation work. Mine is 'Desert Glimpses'—a collection of pictures, curios and so on, representing points of interest in the desert country. I've a horned toad at home, and a blue-tailed lizard, and some pictures of jack rabbits, with their ears attached to the frame, and quite a few rattlesnake rattles. So to-day," she smiled again at him, "I rode down here to take a picture of you!"
"Thanks," said Johnny, apparently unmoved. "I didn't know I was a point of interest in your eyes; but seeing I am, I'm willing the girls should have a picture of me framed. If you'll go out and sit in the shade of the shack while I shave and doll up a little, you may take a picture. And I'll autograph it for you. Five years from now," he went on complacently, "you're going to brag about having it in your possession. One of those I-knew-him-when kind of brags. And if you'll bring the girls around some time when I'm pulling off an exhibition flight, I'll let 'em shake hands with me."
"Well, of all the conceit!" By that one futile phrase Mary V owned herself defeated in the first charge. "Of all—"
"Conceit? Nothing like that! When you thought it was a good cause to ride all these miles on the hottest day of the year, just to get my picture—" Johnny smirked at her in a perfectly maddening way. He knew it was maddening to Mary V, for he had meant it to be so.
"I did not!" Mary V's face could not be any redder than the heat had made it, but even so one could see the rise in her mental temperature.
"You said you did."
"Well—I merely want your picture to put with my collection of donkeys! You—"
"You said points of interest," Johnny reminded her. He had lost all his moroseness in the interest of the conversation. He had forgotten what a tonic his word-battles with Mary V could furnish. "You better stick to it, because it will sure pan out that way. You'll hate to admit, five years from now, that you once took me for a donkey. Besides, you can't have my ears to pin to the frame; I'll need 'em to listen to all the nice things some real girls will be saying to me when I've just made an exhibition flight."
"Exhibition flight—of your imagination!" fleered Mary V, curling her lip at him. "And I won't need your ears to prove you're a donkey, so don't worry about that."
Johnny Jewel stood up, lifted his arms high above his head to stretch his healthy young muscles, pulled his face all askew in a yawn, rumpled his hair again and reached for his papers and tobacco. He knew that Mary V never noticed or cared if a fellow smoked; she was too thoroughly range-bred for that affectation.
"Good golly! Things must sure be dull at the ranch, if you had to ride twenty miles on a day like this to pick a fight with me," he observed, leisurely singling one leaf out of his book of papers. "Left your horse to bake in the sun, too, I suppose, while you practice the art of persiflage on me."
He finished rolling his cigarette, languidly helped himself to a match from a box on the wide window ledge near him, and sauntered to the door—with a slanting, downward glance at Mary V as he passed her. A little smile lurked at the corners of his lips now that his face was not visible to her. Mary V was studying her wrist watch as though it was vital that she knew the time down to the last second. He judged that she had no retort ready for him, so he picked up his hat and went out into the glaring sunlight.
Tango was sweating patiently under the scant shelter of the eaves, switching at flies and trying to doze. Johnny led him down to the creek and gave him about half as much water as he wanted, then took him to the corral and unsaddled him under the brush shed that sheltered his own horse from the worst of the heat. Whatever her mood and whatever her errand, he guessed shrewdly that Mary V would not be anxious to leave for home until the midday fierceness of the heat was past; and even if she were anxious, common sense and some mercy for her horse would restrain her.
Johnny did not confess to himself that he was glad to see Mary V, but it is a fact that his deep gloom had for some reason disappeared, and that he even whistled under his breath while he untied her lunch and camera and took them back with him to the cabin.
Mary V had been calmly inspecting his new Correspondence Course in the Art of Flying, the first lessons of which had arrived at Johnny's mail box a few days before. She seemed much amused, and she registered her amusement in certain marginal notes as she read. At the top of the first lesson she drew a fairly clever cartoon of Johnny in an airplane, ascending to the star Venus. She made it appear that Johnny's hair stood straight on end and his eyes goggled with fear, and she made Venus a long-nosed, skinny, old-maid face with a wide, welcoming simper. Up in a corner she placed the moon, with one eye closed and a twisted grin.
On the blank space at the end of the first lesson she wrote the following—and could scarcely refrain from calling Johnny's attention to it, she was so proud of it:
Having through much industry accomplished all this while Johnny was putting up her horse, Mary V slid the revised lesson out of sight under other papers and was almost decently civil to Johnny when he returned. She did not help him with dinner—which was served cold for obvious reasons—but she divided her sandwiches and sour pickles with him in return for a fried rabbit leg and a dish of stewed fruit. In the intervals of their quarreling, which continued intermittently all the while she was there, Mary V quizzed him about his ambition to fly. Did he really intend to learn "the game"? Had he ever been up in a flying machine? It seemed that Johnny had made two ecstatic trips into the air—for a price—at the San Francisco Fair the fall before, and that his imagination had never quite felt solid ground under it since! Where—or how—could he learn?
If she were secretly trying to inveigle Johnny into showing her his new Correspondence Course, so that she might be a gleeful witness when he discovered her additions and revisions, she must have been a greatly disappointed young woman. For Johnny that day demonstrated how well he could keep a secret. He warmed to her apparent interest in his chosen profession, but he did not once hint at the lessons, and kept rigidly to generalities.
Mary V mentally called him sly and deceitful, and started another quarrel over nothing. While this particular battle was raging, there came an interruption which Mary V first considered sinister, then peculiar, and at last, after much cogitation, extremely suspicious and a further evidence of Johnny's slyness.
A Mexican rode up to the doorway, coming from the east. Not Tomaso, who would have convinced even Mary V of his harmlessness, but a broad-shouldered, square-faced man with squinty eyes, a constant smile, and only a slight accent.
Johnny went to the door, plainly hesitating over the common little courtesy of inviting him in. The man dismounted, announced that he was Tomaso's brother, and then caught sight of Mary V inside and staring out at him curiously.
His manner changed a little. Even Mary V could see that. He stopped where he was, squinting into the cabin, smiling still.
"I come to borrow one, two matches, señor, if you have to spare," he said glibly. "Me, I'm riding past this way, and stop for my horse to drink. She's awful hot to-day—yes?"
Johnny gave him the matches, made what replies were needful, and stood in the doorway watching the fellow ride to the creek and afterwards proceed to eliminate himself from the landscape. Mary V leaned sidewise so that she too could watch him from where she sat at the table. She was sure, when she saw him ride off, that he was the same man who had met Tex away back there in the arroyo.
She watched Johnny, wondering if he knew the man, or knew what was his real reason for coming. Whatever his real reason was, he had gone off without stating it, and Mary V believed that he had gone because she was there. She wished she knew why he had come, but she would not ask Johnny. She merely watched him covertly.
Johnny had turned thoughtful. He did not even see that Mary V was watching him, he was so busy wishing that she had not come at all, or that she had gone before this man rode up. Inwardly Johnny was all a-quiver with excitement. He believed that he knew why Tomaso's brother had come.
"Mary V, what are you doing in the kitchen? Remember, I told you you shouldn't make any more fudge for a week. I don't want any more sessions with Bedelia like I had last time you left the kitchen all messed up with your candy. What are you doing?"
Mary V licked a dab of loganberry jelly from her left thumb and answered with her face turned toward the open window nearest the porch where her mother sat rocking peacefully.
"Oh, for gracious sake, mom! I'm only putting up a little lunch before I go to bed. I'm going to take my rides earlier, after this, and it wouldn't be kind for me to wake the whole house up at daybreak, getting my lunch ready—"
"If you're going at daybreak, why do you need a lunch? If you think I'll permit you to stay out in the heat all day without any breakfast—"
"Well, mom! I can't take pictures at daybreak, can I? I've got to stay out till the light is strong enough. And there's a special place I want, and if I go early, I can get back early; before lunch, at the very latest. Do you want me to go without anything to eat?"
"Seems to me you're running them 'Desert Glimpses' into the ground," her mother grumbled comfortably. "You've got a stack higher than your head, now. And some of these days you'll get bit with a snake or a centipede or—"
"Centipedes don't bite. They grab with their toes. My goodness, mom! A person's got to do something! I don't see what harm there is in my riding horseback in the early morning. It's a healthful form of exercise—"
"It's a darn fad, and you'll go back to school looking like a squaw—and serve you right. It's getting along towards the time when snakes go blind. You want to be careful, Mary V—"
"Oh, piffle! I've lived here all my life, just about, and I never saw a person bitten with a snake. And neither did you, mom, and you know it. But, of course, if you insist on making me sit in the house day in and day out—" Mary V cut two more slices of bread and began spreading them liberally with butter. She looked very grieved, and very determined.
"Oh, nobody ever made you sit in the house yet. They'd have to tie you hand and foot to do it," came the placid retort. "Don't you go helping yourself to that new jelly, Mary V. The old has got to be used up first. And you wipe off the sink when you're through messing around. Bedelia's hinting that she's going to quit when her month is up. It don't help me a mite to keep her calmed down when you leave a mess for her every time you go near the kitchen. She says she's sick and tired of cleaning up after you. You know what'll happen if she does quit, Mary V. You'll be getting your 'Desert Glimpses' out the kitchen window for a month or so, washing dishes while we scurrup around after another cook. Bedelia—"
"Oh, plague take Bedelia!" snapped Mary V. But she nevertheless spent precious minutes wiping the butcher knife on Bedelia's clean dish towel, and putting away the butter and the bread, and mopping up the splatters of loganberry jam. Getting her "Desert Glimpses" through the kitchen window formed no part of Mary V's plans or desires.
They seemed to Mary V to be precious minutes, although they would otherwise have been spent in the wearisome task of waiting until the ranch was asleep. She took her jam sandwiches and pickles and cake to her room, chirping a blithe good-night to her unsuspecting parents. Then, instead of going to bed as she very plainly indicated to those guileless parents that she meant to do, she clothed herself in her riding breeches, shirt, and coat, and was getting her riding shoes and puttees out of the closet when she heard her mother coming.
A girl can do a good deal in a minute, if she really bestirs herself. Her mother found Mary V sitting before her dressing table with her hair hanging down her back. She was enfolded in a very pretty pink silk kimono, and she was leisurely dabbing cold cream on her chin and cheeks with her finger tips.
"Be sure you take your goggles with you, Mary V. I notice your eyelids are all red and inflamed lately when you come in from your rides. And do put them on and wear them if the wind comes up. It's easier to take a little trouble preventing sore eyes and sunburn than it is to cure them. And don't stay out late in the heat."
"All right, mommie." Drawing her kimono closer about her, Mary V put her face up to be kissed. Her mother hesitated, looking dubiously at the cream dabs, compromised with a peck on Mary V's forehead, and went away. Mary V braided her hair, put on a pair of beaded moccasins, buckled on her six-shooter and gathered together her other paraphernalia. She waited an hour by her wrist watch, but even that sixty minutes of inaction did not bring her better judgment to the rescue.
Sober judgment had no place in her thoughts. Instead, she spent the time in wondering if Tango would let her catch him in the corral; in fretting because she must wait at all, when there was no telling what might have happened at Sinkhole; and in giving audience to a temptation that came with the lagging minutes and began persuading her that Tango was too slow for the trip she had before her; and in climbing into bed, turning over three times and climbing out again, leaving the light covering in its usual heap in the middle.
It was half-past nine when she climbed out of her window with her riding shoes and puttees, her lunch and her camera and her field glasses, in a bundle under one arm. She went in her moccasins until she had passed the bunk house and reached the shed where she kept her saddle.
A dozen horses were dozing over by the feed rack in the corral, and Mary V's eyes strayed often that way while she was clothing her feet for the ride. Tango was a good little horse, but he was not the horse for a heroine to ride when she went out across the desert at midnight to rescue—er—a good-for-nothing, conceited, quarrelsome, altogether unbearable young man whom she thoroughly hated, but who was, after all, a human being and therefore to be rescued when necessary.
Would she dare—? Mary V hurried the last puttee buckle, picked up her bridle and a battered feed pan, and went quietly across the corral. Wondering if she would dare made her daring.
Most of the horses sidled off from her approach and began to circle slowly to the far side of the corral. Tango lifted his head and looked at her reproachfully, moved his feet as though tempted to retreat, and thought better of it. What was the use? Mary V always did what she wanted to do; if not in one way, then in another. Knowing her so well, Tango stood still.
Mary V smiled. Just beyond him another horse also stood still. A tall, big-chested, brilliant-eyed brown, with a crinkly mane, forelock, and tail, and with a reputation that made his name familiar to men in other counties. His official name was Messenger, but the boys called him Jake for short. They also asserted pridefully that he had "good blood in him." He belonged to Bill Hayden, really, but the whole Rolling R outfit felt a proprietary interest in him because he had "cleaned up" every horse in southern Arizona outside the professional class.
Ordinarily Mary V would never have thought of such a thing as riding Jake. She would have considered it as much as her life was worth to put her saddle on him without first asking Bill. Once she had asked Bill, and Bill had looked as if she had asked for his toothbrush; shocked, incredulous, as though he could not believe his ears. "Well, I should sa-ay not!" Bill had replied when she had made it plain that she expected an answer.
Ordinarily that would be accepted as final, even by Mary V. But ordinarily Mary V did not climb out of her bedroom window to ride all night, even though there was a perfectly intoxicating moon. Certainly not to a far line-camp where a young man lived alone, just to ask him why some one else answered his telephone for him.
To-night was her night for extraordinary behavior, evidently. She certainly showed that she had designs on Jake. She held out the feed pan, and gritted her teeth when Tango gratefully ducked his nose into it. She let him have one quivery-lipped nibble, and pushed the pan ingratiatingly toward the black muzzle beyond.
Jake was not a bronk. Having "good blood" he was tame to a degree. He knew Mary V very well by sight, and, if horses can talk, he had no doubt learned a good deal about her from his friend Tango, who usually came home with a grievance. Jake accepted the feed pan graciously, and he did not shy off when Mary V pushed Tango out of her way and began to smooth Jake's crinkly mane and coax him with endearing words. After a little he permitted her to slip the bridle reins over his head, and to press the bit gently into his mouth. She set the pan on the ground and so managed to tuck his stiff, brown ears under the headstall, and to pull out his forelock comfortably while he nosed the pan. The bridge was too small for Jake, but Mary V thought it would do, since she was in a great hurry and the buckles would be stiff and hard to open. The throat latch would not fasten where Tango always wore it, but went down three holes farther. Jake was bigger than she had thought.
But she led him over to the shed door and adjusted the saddle blanket and, standing on her tip-toes, managed to heave her saddle into place. The cinch had to be let out too. Mary V was trembling with impatience to be gone, now that she had two heinous sins loaded upon her conscience instead of one, but she knew better than to start off before her saddle was right. And, impressed now with the size of Jake, she stood on a box and let out the headstall two holes.
Jake did not seem to approve of her camera and canteen and field glasses and rifle, and stepped restlessly away from her when she went to tie them on. So she compromised on the canteen and field glasses, and hid camera and rifle under some sacks in the shed. It seemed to her that she would never get started; as though daylight—and Bill Hayden—would come and find her still in a nightmare struggle with the details of departure. Back of all that the thought of that strange, disguised voice talking for Johnny Jewel nagged at her nerves as something sinister and mysterious.